
Scud (born Danny Cheng Wan-Cheung, 1967) is a Hong Kong filmmaker celebrated for his daring arthouse films that explore sexuality, identity, and existential themes. Known for works like Amphetamine and Utopians, Scud is one of Hong Kong’s most provocative and visionary directors.
SCUD PROFILE
| Name | Scud |
| Real Name | Danny Cheng Wan-Cheung |
| Date Of Birth | 1967 |
| Nationality | Chinese |
| Occupation | Filmmaker |
| Religion | N/A |
| Marital Status | Single |
| Net Worth | N/A |
| Copied From | Contents101.com |
SCUD BIOGRAPHY

Scud, whose real name is Danny Cheng Wan-Cheung, was born in 1967 in Guangzhou, China. He later moved to Hong Kong, where he became known for his bold and unconventional approach to filmmaking. Growing up during a time of cultural change in China, Scud developed a deep interest in storytelling, visual arts, and human psychology.
EDUCATIONAL BACKGROUND

Scud pursued his higher education in Australia, where he studied Information Technology and Computer Science.
CAREER

Before entering filmmaking, Scud worked in the IT and telecommunications industry, including founding and managing a successful business in Hong Kong. In 2005, he sold his company to fully dedicate himself to filmmaking — a rare and courageous decision in Hong Kong’s conservative film industry.
He founded his own independent production company, Artwalker, to maintain creative control and produce films that challenge social taboos. Scud’s works are often categorized as arthouse cinema, known for their philosophical themes, emotional intensity, and frank exploration of sexuality, identity, and existentialism.
Some of his most notable films include:
- City Without Baseball (2008) – His directorial debut, exploring the lives and desires of Hong Kong baseball players.
- Permanent Residence (2009) – A semi-autobiographical story about love and mortality.
- Amphetamine (2010) – A tragic love story between two men, exploring addiction and spirituality.
- Love Actually… Sucks! (2011) – A collection of interconnected stories about forbidden love.
- Voyage (2013) – A psychological exploration of life and death, shot in multiple countries.
- Utopians (2015) – A film celebrating sensual freedom and philosophy.
- Thirty Years of Adonis (2017) – A surreal tale of fame, sexuality, and self-destruction.
- Apostles (2022) – A continuation of his signature exploration of human desire and loss.
CONTROVERSIES

Scud’s films have often stirred controversy in Hong Kong and mainland China for their explicit depictions of nudity, homosexuality, and taboo subjects such as death and suicide. Many of his works have faced censorship or limited releases due to their provocative content. Despite this, Scud remains one of the few filmmakers from Hong Kong who openly explores LGBTQ+ themes without compromise.
SCUD SOCIAL MEDIA HANDLE
https://www.facebook.com/scudcheng
PERSONAL LIFE

Scud is known for being openly gay and deeply reflective about human relationships and existential freedom. He lives a relatively private life, preferring to express his philosophy through his films rather than public appearances. He has described his works as a form of “spiritual and emotional release,” revealing fragments of his own experiences and inner struggles.
SCUD NET WORTH

Scud’s exact net worth is not publicly disclosed.
